
RENT ME FIRST!
4 of 6 people found this review helpful.
This is the premise of "Becoming Jane" and it looks particularly attractive on paper because it's also a vehicle for Anne Hathaway, a rising actress ("The Devil Wears Prada") who seems just right to embody the spirit of this most filmable of 19th-century women novelists.
And the movie goes a certain distance on its ambition, star power and acerbic script -- it's an enjoyable period romance. Yet, ultimately, the unique magic of Austen so beautifully caught in 1996's "Emma" is missing.
The story takes a real incident -- a flirtation with a roughish Irish lawyer (James McAvoy) that occurred when Austen was 20. The script then goes on to imagine that this was the star-crossed love affair of her life and the experience that made her into the author she would become.
Along the way, it also tries to be a template for the distinct kind of witty, insightful, feminist-minded novels she would write -- particularly her masterpiece, "Pride and Prejudice," whose themes and characters it contains in embryonic form.
The movie is eminently watchable: The production values are blue-chip, the script is often funny and cute, Hathaway is reasonably charming and the supporting cast -- especially Julie Waters (as her mother) and Maggie Smith (as the village grand dame) -- is strong.
But the movie doesn't soar: The chemistry of the stars is rather weak and all optimism and spunk is lost in the final act (the opposite arc of a Jane Austen novel). At 120 minutes, the whole thing feels awfully drawn-out.
In the end, it's always hard to make a memorable movie about a famous author, because what an author is and does is so internal. "Shakespeare in Love" certainly pulled it off. This movie doesn't.
OVERALL
6/10
THIS IS A RENTAL AT BEST!
Review ID: 10000000005583994

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