
American History X
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On the day that his older brother is due to be released from prison, student Danny Vinyard (Edward Furlong) turns in a paper praising Hitler's Mein Kampf to his Jewish teacher Murray (Elliot Gould). He is sent to the principal, Bob Sweeney (Avery Brooks) who assigns him another task. He gives him a day to complete an essay on the events that have shaped his life, including the events leading up to the imprisonment of his brother. The assignment will be called American History X.
Writing this essay provides the cinematic device to tell the story of Danny and his older brother Derek (Edward Norton). Derek has been imprisoned for the killing of two men who tried to steal his car one night. Derek didn't kill them because they were thieves but because they were black, and he had been the leader of a neo-Nazi, white-power group. Derek's hatred of blacks was triggered when his father, a fireman, was killed by drug-dealers (presumed black), who shot him as he attempted to put out a fire in a poor neighbourhood. Hooking up with a local white-power activist Cameron (Stacy Keach), he organises a group of white kids into an organised mob who terrorise local non-white owned businesses.
Derek's racism is directed at anyone he meets - he explodes with rage when he finds that Murray is friendly with his mother, because he is Jewish. So when he finds two black kids (one of whom he had encountered before) messing with his car, he has no hesitation in killing them. One of them survives the initial hail of gunfire but Derek finishes him off as he lies wounded on the footpath.
When Derek is released (after serving three years for manslaughter), he returns home to find his mother ( Beverly D'Angelo) and siblings living in a small, shabby apartment, and that Danny has become involved in the neo-Nazi movement. Derek's own reputation has been enhanced by his crime, but he wants nothing more to do with Cameron's activities, and is determined to stop his younger brother following in his footsteps. The film follows his attempt to explain to Danny how his life has changed, and Danny's own exploration of his family's past (through writing his essay).
Tony Kaye's film is a thoughtful and sometimes shocking account of a skinhead's descent into murder and his eventual attempt at rehabilitation. The film is driven by two outstanding performances, from Edward Norton and Edward Furlong. Norton is simply frightening as the hate-filled Derek, all shaven scowl and bedecked with swastika tattoos. His portrayal depicts a keen intellect corrupted by an unfocussed rage. However, Edward Furlong has arguably the harder role, as it is more subtle and less showy. As a gangly teenager, desperate for a sense of belonging, and looking for someone to look up to, Furlong's Danny looks as uncomfortable in his own body as he does in his surroundings. The film is sustained by the sheer power of their performances.
Review ID: 10000000011070650

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