
A Good, But Untrue, Story
3 of 5 people found this review helpful.
I was in high school in 1984, the year the blockbuster motion picture "Amadeus" was released. Teachers generally jump for joy when they see an opportunity to make learning "cool." Predictably, we were assigned to see it for history class. The movie itself - the cinematography, the lavish settings and costumes, the acting, the music, the gripping story - was wonderful. Nominated for eleven Oscars, it won eight, encluding Best Picture and Best Actor for F. Murray Abraham (Salieri). My musical education was virtually non-existent. We had a music class once a week in grammar school, where we sang hippie songs around the piano and memorized a handful of music facts. ("Zubin Mehta is the conductor of the New York Philharmonic Orchestra.") My knowledge of Wolfgang Amadeus Mozart was nil. And so this film became the core of my knowledge of Mozart and his music and life. It was twenty-two years before I found out it was mostly a fantasy.
This year I am teaching my son all about classical music and composers. We homeschool, and I want my children's music education to be more than what I had. I want them to be able to read music and play and instrument. And I want them to be familiar with important works and composers. So each month this year we listen to a different composer and read a children's biography of him together. First up was Mozart, one of my favorites. How surprised was I when the details of his life did not jibe with what I remembered. Well, maybe I remembered it wrong.
I recently had the opportunity to watch the film again, for the first time since I had seen it in the theater in 1984. On the DVD there are extra materials, and one of those extra features discusses how the story was developed. The film was adapted from a play by Peter Shaffer. Shaffer took vignettes of the life and legend of Mozart and wove them into a "fantasia." Fantasy? Made up? I felt cheated. Don't get me wrong, it is a good movie, a compelling tale of a faith abandoned, a life given over to sin. But I was told, by the filmmakers and my teachers, that this was history. Even the behemoth Internet Movie Database lists the genre of this film first as "Biography," then "Drama." Nowhere in the film itself is the same disclaimer made as in the DVD extras; that the film was largely fictionalized from some facts of Mozart's and Salieri's lives.
Putting the historical issue aside, the film is worthy of attention. Not because of it's title character, Mozart, who appears in it only through the eyes and reminiscences of Salieri. It is really the story of the soul of Salieri. His immature spirituality and pride which lead to disaster. F. Murray Abraham is compelling as the Italian-born Salieri, court composer to Emporer Joseph in 1790's Vienna. Mozart is portrayed (by Tom Hulce) as an immature alcoholic.
The dialogue, unfortunately, contains some foul language and adult conduct. There is also a bloody scene which could be upsetting. I would recommend this for older teens and adults, with the caveat that this isn't really what happened.
Review ID: 10000000000710650

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