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The Alternative Wes Montgomery by Wes Montgomery (CD, Feb-1990, Milestone Records) 
The Alternative Wes Montgomery by Wes Montgomery (CD, Feb-1990, Milestone Records)

 
The Alternative Wes Montgomery by Wes Montgomery (CD, Feb-1990, Milestone Records)

Artist: Wes Montgomery
Release Date: Feb 1990
Format: CD
Record Label: Milestone Records
Genre: Guitar, Jazz Instrument
UPC: 025218476522
Product ID: EPID3062019
Description: Personnel: Wes Montgomery (guitar); James Clay, Johnny Griffin (tenor saxophone); Milt Jackson (vibraphone); Victor Feldman, Wynton Kelly (piano); Kenny Burrell (guitar); Monk Montgomery (Fender bass); Sam Jones, Paul Chambers (acoustic ...
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Featuring 12 Previously Unreleased Alternate Tales!!!
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Featuring 12 Previously Unreleased Alternate Tales!!!
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BRAND NEW, factory sealed items direct from the studios. Fast shipping! 100%
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Fine in fine packaging. Originally released: 1960. Click on Sellers name above to
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Track Listing
1. Born to Be Blue
2. Come Rain or Come Shine - (take 1)
3. Fried Pies - (take 1)
4. Besame Mucho - (take 2)
5. Way You Look Tonight, The - (take 2)
6. Stairway to the Stars - (take 2)
7. Jingles - (take 8)
8. Bock to Bock - (take 1)
9. Movin' Along - (take 1)
10. Body and Soul - (take 2)
11. Tune Up - (take 9)
12. Tune Up - (take 2, with strings)

Details
Distributor:Fantasy (distributor)
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Personnel: Wes Montgomery (guitar); James Clay, Johnny Griffin (tenor saxophone); Milt Jackson (vibraphone); Victor Feldman, Wynton Kelly (piano); Kenny Burrell (guitar); Monk Montgomery (Fender bass); Sam Jones, Paul Chambers (acoustic bass); Louis Hayes, Philly Joe Jones, Jimmy Cobb (drums).
While the point of this elegant and thoughtful reissue is to offer up 12 alternate takes of items in Wes Montgomery's official discography, it could just as well serve as an introductory overview of Montgomery's work on the Riverside label in general. Original producer Orrin Keepnews' point that these cuts are alternates that almost everyone around Montgomery would have been happy to keep, is well taken. Keepnews, and Montgomery's bandmates, would often only record later versions because the guitarist himself was determined to nail a better solo or overall performance.
"Born To Be Blue," recorded during the FULL HOUSE session, was never released due to space considerations. The balance of this material offers a fine view of the various ensembles Montgomery recorded with, and the kind of material he chose, from ballads and other standards, to jazz compositions, to his own cooking originals. A particularly slick touch is the juxtaposition of the 1960 small-group version of "Tune-Up" with the orchestrated version cut a few years later for the FUSION album.

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