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Where Are All the Nice Girls? by Any Trouble (CD, Sep-1997, Compass USA) 
Where Are All the Nice Girls? by Any Trouble (CD, Sep-1997, Compass USA)

 
Where Are All the Nice Girls? by Any Trouble (CD, Sep-1997, Compass USA)

Artist: Any Trouble
Release Date: Sep 1997
Format: CD
Record Label: Compass (USA)
Genre: Power Pop, Rock & Pop
UPC: 766397424620
Product ID: EPID3262955
Description: Any Trouble: Clive Gregson (vocals, guitar, keyboards); Phil Barnes (vocals, bass); Chris Parks (guitar); Mel Harley (drums). Additional personnel: Bob Sargeant (organ); Alison Tulloch, Diane Robinson (background vocals). Producers: Any ...
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Track Listing
1. Yesterday's Love
2. Second Choice
3. Playing Bogart
4. Foolish Pride
5. Nice Girls
6. No Idea
7. Turning up the Heat
8. Romance
9. Hurt, The
10. Girls Are Always Right
11. Growing Up
12. Honolulu
13. Hook, (Get You Off) The

Details
Contributing Artists:Clive Gregson
Distributor:Ryko Distribution
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Any Trouble: Clive Gregson (vocals, guitar, keyboards); Phil Barnes (vocals, bass); Chris Parks (guitar); Mel Harley (drums).
Additional personnel: Bob Sargeant (organ); Alison Tulloch, Diane Robinson (background vocals).
Producers: Any Trouble, John Wood, Bob Sargeant.
Recorded at Pennine Sound Studios, Oldham, England and The Roundhouse, London, England. Includes liner notes by Clive Gregson, Dennis Locorriere, Erin Riley, Nigel Dick, Will Birch and Paul Conroy.
Digitally remastered by John Wood (Sound Recording Technology).
Originally released in 1980 by Stiff Records as the first of four studio albums to be unleashed by this sadly overlooked Manchester, England-based folk/pop quartet, WHERE ARE ALL THE NICE GIRLS? introduced singer/songwriter/guitarist Clive Gregson to the pop world. Pouring elements of Elvis Costello, Richard Thompson and early Joe Jackson through his remarkable, honeyed-baritone vocal chops, Gregson essentially lays out a blueprint that would sustain him into the 21st century.
A few awkward shards of itchy, hyper-New Wave intensity poke through in spots (they would disappear entirely from subsequent AT/Gregson works), but the bulk of this is classic, endlessly melodic pop music with intelligent, reflective lyrical craftsmanship. Brilliantly re-mastered for CD by the LP's original producer John Wood (Fairport Convention, Nick Drake, Thompson, etc.), this stands up as much more than an artifact of bygone days. The extraordinary "Girls Are Always Right" is alone worth the disc's price.

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