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  • The All-American Rejects [ECD] by All-American Rejects (The) (CD, Jul-2006, Universal Distribution)

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The All-American Rejects [ECD] by All-American Rejects (The) (CD, Jul-2006, Universal Distribution) 
The All-American Rejects [ECD] by All-American Rejects (The) (CD, Jul-2006, Universal Distribution)
Release Date: Jul 2006
Format: CD
Record Label: Universal Distribution
Genre: Rock & Pop
UPC: 4988005436023
Product ID: EPID55282363
Description: The All-American Rejects: Tyson Ritter (vocals, bass); Nick Wheeler (guitar, keyboards, drums, programming). Recorded at Mission Sound and Headgear Studio, Brooklyn, New York. Includes 1 bonus track. This is an Enhanced CD, which contain...
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Page 1 of 1
Track Listing
1. My Paper Heart
2. Your Star
3. Swing Swing
4. Time Stands Still
5. One More Sad Song
6. Why Worry
7. Don't Leave Me
8. Too Far Gone
9. Drive Away
10. Happy Endings
11. Last Song

Details
Distributor:MSI Music Distribution
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
The All-American Rejects: Tyson Ritter (vocals, bass); Nick Wheeler (guitar, keyboards, drums, programming).
Recorded at Mission Sound and Headgear Studio, Brooklyn, New York.
Includes 1 bonus track.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
Tyson Ritter and Nick Wheeler, the two college-age clean-cut men who form the nexus of the All-American Rejects, have a knack for driving home a pop hook. Clearly weaned on power pop's history from the Beach Boys and Big Star to the Cars and Weezer and other more modern proponents, the Oklahoma outfit serves up gentle pop radiance with a hint of Replacements-style brashness on its self-titled debut.
The All-American Rejects' songs capture a youthful simplicity without slipping into juvenile lyrics like many bands with a similar sound. There is an endearing innocence in tunes like "My Paper Heart" with its simple opening entreaty "please just don't play with me/my paper heart will bleed" over insistent acoustic guitar before a quiet storm replete with a tympani-sounding instrument. Ornate instrumentation abounds, but it augments the music, never seeming forced or out or place, likely a combination of prescience on the pair's part and the experienced hand of producer-engineer Tim O'Heir (Sebadoh, Superdrag, Possum Dixon). In fact, the album's hallmark is a bewitching, summery, infectious pop consistency.

Editorial Reviews
Pop professionalism meets emo's romantic amateurism... - Grade: A-
Spin (04/01/2003)

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